Ryuichi Sakamoto

IS YOUR TIME (2017)

Ryuichi Sakamoto + Shiro Takatani

Installation view, IS YOUR TIME, 2021, Taipei Music Center
Photo credit: fundesign.tv
展览现场, 《你的时间》(2017),坂本龙一 + 高谷史郎,“观音·听时”, 木木美术馆(钱粮胡同馆),北京,2021
摄影:木木美术馆摄像团队
Installation view, IS YOUR TIME, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场, 《你的时间》(2017),坂本龙一 + 高谷史郎,“观音·听时”, 木木美术馆(钱粮胡同馆),北京,2021
摄影:木木美术馆摄像团队
Installation view, IS YOUR TIME, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场, 《你的时间》(2017),坂本龙一 + 高谷史郎,“观音·听时”, 木木美术馆(钱粮胡同馆),北京,2021
摄影:木木美术馆摄像团队
Installation view, IS YOUR TIME, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场, 《你的时间》(2017),坂本龙一 + 高谷史郎,“观音·听时”, 木木美术馆(钱粮胡同馆),北京,2021
摄影:木木美术馆摄像团队
Installation view, IS YOUR TIME, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
When Sakamoto encountered the piano at Miyagi Prefecture Agricultural High School after the school’s devastation by the 2011 Great East Japan Earthquake tsunami, he interpreted the piano as having been re-tuned by the forces of nature. Sakamoto felt as if the piano were a corpse of an instrument once alive, and reanimated it as a device that expresses earthquakes, or the vibrations of the earth.

When exhibited for the first time at NTT InterCommunication Center [ICC] in 2017, five speakers and five LED panels lined both sides of the gallery, and two more speakers stood at the gallery’s front and rear. Music, taken primarily from Sakamoto’s album async, re-arranged for the installation, resounded alongside the piano tones generated using earthquake data collected from around the globe. Light from the 10 LED panels, emitted simultaneously with sound from the 14 speakers, offered an experience of sound as an “object” that moved three-dimensionally in the gallery space. On the occasion of the work’s exhibit in Chengdu in 2023, a basin of water and LED panel displaying snow were also added.

For the presentation of IS YOUR TIME at the Museum of Contemporary Art Tokyo, the async elements were omitted in consideration of Sakamoto’s will, to exhibit the piano simply with only its sounds being heard. The piano, rendered an object by the forces of nature, without a role or functional ability to play music created by human hands and heart, performs the earth’s rumbling in the interval between sky and ocean.
Technical Requirements:
Minimum Space Dimensions
W 12m x D 25m x H 5m
- wall covered with black flat curtains
- black carpeted flat floor
- black ceiling
- 14 x speakers
- microphone
- contact mic
- 2 x computers (mac bookpro)
- 2 x audio interface
- lighting
- LED panel or projector for the ceiling
- 10 x LED panels for side walls
*must be approved for using water and sand
*a corridor with soundproofing materials is required before entering the installation space
*the space must be quiet and dark
*fresh water access required