Ryuichi Sakamoto

async−first light (2017)

Ryuichi Sakamoto + Apichatpong Weerasethakul

async–first light, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul
“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023
Image courtesy of M WOODS
展览现场,《异步-第一束光》(2017),坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆(钱粮胡同馆),北京,2021
摄影:木木美术馆摄像团队
Installation view, async–first light, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.Photo by M WOODS photography team
展览现场,《异步-第一束光》(2017),坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆(钱粮胡同馆),北京,2021
摄影:木木美术馆摄像团队
Installation view, async–first light, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.Photo by M WOODS photography team
展览现场,《异步-第一束光》(2017),坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆(钱粮胡同馆),北京,2021
摄影:木木美术馆摄像团队
Installation view, async–first light, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.Photo by M WOODS photography team
展览现场,《异步-第一束光》(2017),坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆(钱粮胡同馆),北京,2021
摄影:木木美术馆摄像团队
Installation view, async–first light, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.Photo by M WOODS photography team
async–first light is a collaboration with Apichatpong from Sakamoto's album async.

People at a film screening, the sea, the view of a country road from a car, a sleeping child, an adult, a dog... Thai filmmaker and artist Apichatpong Weerasethakul interpreted Sakamoto's album async as a personal work and asked people close to him to shoot footage using his pocket-sized Digital Harinezumi camera. The images that the camera captured are snippets of people's personal and everyday moments rendered in grainy, low resolution, with uniquely warm colors.

After receiving a request to collaborate with Sakamoto on async, which was in production at the time, Weerasethakul spent much of his time listening to the music that was sent to him. He finally decided on using the two tracks, disintegration and LIFE, LIFE, and requested that Sakamoto change their lengths and arrange the transition from one composition to the next to suit the needs of the video. Deconstructed fragments of scenes appear to the sounds in disintegration, switching from one moment to another sometimes as if in repetition. Gradually, the music shifts to LIFE, LIFE, as the poem "And this I dreamt, and this I dream" by Russian poet Arseny Tarkovsky is quietly heard against images of people going to sleep.

Weerasethakul describes Sakamoto's music as very “refreshing” and that it gave him the feeling of encountering the sounds of nature for the first time. He says, "It's like when one opens his or her eyes in the morning and remembers the first light, first image that one sees. Imprinted.”
Technical Requirements:
async–first light / Durmiente (2024)
Minimum Space Dimensions
W 6m x D 9m x H 4m
- black wall
- black floor
- grey 20% wall painting screen
- 8 x speakers
- 5 x speaker amps
- audio interface
- 2 x projectors and lenses
- 2 x computers (mac bookpro)