Ryuichi Sakamoto

LIFE−WELL Installation (2013)

Ryuichi Sakamoto + Shiro Takatani

展览现场,《“生命-井”装置》(北京版本)(2013/2021),坂本龙一 + 高谷史郎,“观 音·听时”, 木木美术馆(钱粮胡同馆),北京,2021
摄影:木木美术馆摄像团队
Installation view, LIFE-WELL Installation (Beijing version), 2013/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场,《“生命-井”装置》(北京版本)(2013/2021),坂本龙一 + 高谷史郎,“观 音·听时”, 木木美术馆(钱粮胡同馆),北京,2021
摄影:木木美术馆摄像团队
Installation view, LIFE-WELL Installation (Beijing version), 2013/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
撮影:丸尾隆一(YCAM)
写真提供:山口情報芸術センター[YCAM]
Photo by Ryuichi Maruo
Courtesy of Yamaguchi Center for Arts and Media [YCAM]
Installtion view: LIFE-WELL, 2013, Noda Shrine
撮影:丸尾隆一(YCAM)
写真提供:山口情報芸術センター[YCAM]
Photo by Ryuichi Maruo
Courtesy of Yamaguchi Center for Arts and Media [YCAM]
Installtion view: LIFE-WELL, 2013, Noda Shrine
撮影:丸尾隆一(YCAM)
写真提供:山口情報芸術センター[YCAM]
Photo by Ryuichi Maruo
Courtesy of Yamaguchi Center for Arts and Media [YCAM]
Installtion view: LIFE-WELL, 2013, Noda Shrine
撮影:丸尾隆一(YCAM)
写真提供:山口情報芸術センター[YCAM]
Photo by Ryuichi Maruo
Courtesy of Yamaguchi Center for Arts and Media [YCAM]
Installtion view: LIFE-WELL, 2013, Noda Shrine
A fog machine is set up within a dried pond, generating fog that builds and shifts around the grounds of a shrine. Sakamoto associates this pond with the dried-up well in W.B. Yeats' play, At the Hawk's Well. Sensors capture the shape of the fog in real-time, converting it into sound.
Technical Requirements:
LIFE–WELL TOKYO Fog Sculpture #47662 (2024)
Minimum Space Dimensions
W 50m x D 30m x H (TBD)
- water
- water supply
- fog system
- high pressure hose
- 10 x speakers
- 5 x speaker amps
- 2 x computer (mac bookpro)
- 2 x audio interface
- 4 x camera
- LED system
- mirror system


*use large amount of water