Ryuichi Sakamoto

Ryuichi Sakamoto: seeing sound hearing time (China, 2021)

Ryuichi Sakamoto, Shiro Takatani, Zakkubalan, Apichatpong Weerasethakul, Daito Manabe

展览现场, 《你的时间》（2017），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021
摄影：木木美术馆摄像团队
Installation view, IS YOUR TIME, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场, 《你的时间》（2017），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021
摄影：木木美术馆摄像团队
Installation view, IS YOUR TIME, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场, 《你的时间》（2017），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021
摄影：木木美术馆摄像团队
Installation view, IS YOUR TIME, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场，《生命-流动，不可见，不可闻···》（2007/2021），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021
摄影：木木美术馆摄像团队
Installation view, LIFE–fluid, invisible, inaudible..., 2007/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场，《生命-流动，不可见，不可闻···》（2007/2021），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021
摄影：木木美术馆摄像团队
Installation view, LIFE–fluid, invisible, inaudible..., 2007/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场，《生命-流动，不可见，不可闻···》（2007/2021），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021
摄影：木木美术馆摄像团队
Installation view, LIFE–fluid, invisible, inaudible..., 2007/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场，《“生命-井”装置》(北京版本)(2013/2021)，坂本龙一 + 高谷史郎，“观 音·听时”, 木木美术馆(钱粮胡同馆)，北京，2021
摄影:木木美术馆摄像团队
Installation view, LIFE-WELL Installation (Beijing version), 2013/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场，《“生命-井”装置》(北京版本)(2013/2021)，坂本龙一 + 高谷史郎，“观 音·听时”, 木木美术馆(钱粮胡同馆)，北京，2021
摄影:木木美术馆摄像团队
Installation view, LIFE-WELL Installation (Beijing version), 2013/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场，《水的样态 1》(2013)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021
摄影:木木美术馆摄像团队
Installation view, water state 1, 2013, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场，《水的样态 1》(2013)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021
摄影:木木美术馆摄像团队
Installation view, water state 1, 2013, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场, 《感应流2021-不可见，不可闻》（2021），坂本龙一 + 真锅大度，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021
摄影：木木美术馆摄像团队
Installation view, Sensing Streams 2021–invisible, inaudible, 2021, Ryuichi Sakamoto + Daito Manabe, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场，《异步-空间脉动》(2017)，坂本龙一+ 卅克柏岚，“观音·听时”, 木木美术馆 (钱粮胡同馆)，北京，2021
摄影:木木美术馆摄像团队
Installation view, async–volume, 2017, Ryuichi Sakamoto + Zakkubalan, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场，《异步-沉溺》(2017)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021
摄影:木木美术馆摄像团队
Installation view, async–drowning, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场，《异步-沉溺》(2017)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021
摄影:木木美术馆摄像团队
Installation view, async–drowning, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
展览现场，《异步-第一束光》(2017)，坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021
摄影：木木美术馆摄像团队
Installation view, async–first light, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.
Photo by M WOODS photography team
M WOODS presented the largest and most comprehensive survey exhibition to date devoted to Ryuichi Sakamoto. The exhibition was Sakamoto’s first institutional solo show in China. It included work in various media from the last thirty years and new outdoor site-specific installations made especially for M WOODS. The survey exhibition centered around eight key works and large-scale sound installations made in collaboration with fellow celebrated artists, such as: Sensing Streams with Daito Manabe, IS YOUR TIME and LIFE−fluid, invisible, inaudible… with Shiro Takatani, and async−volume with Zakkubalan. Accompanied by an exhibition book and a series of live events and programming, the exhibition seeing sound hearing time, provided a critical overview of the artistic practice of Ryuichi Sakamoto.

Installations:
IS YOUR TIME
LIFE−fluid, invisible, inaudible…
water state 1
async−first light
async−drowning
async−volume
Sensing Streams 2021−invisible, inaudible
LIFE–WELL Installation
Venue:
MWOODS, Beijing

Curators: Sachiko Namba, Victor Wang, Zhang Youdai
< Ryuichi Sakamoto: Life, Life (2018)
YCAM ART–ENVIRONMENT–LIFE (2021) >