Marine biologist and photographer Christian Sardet has been photographing and visually recording plankton, which some might call one of the origins of life. This installation consists of twelve 64-inch monitors placed on the floor so that viewers can overlook Sardet's images as if looking through a microscope.

More than 1,000 species of plankton are projected one after another, sliding away with each transition. During this transition, Sardet's images turn into lines of color, generated by Takatani through a process he calls toposcan.

Independently of the shifting images, elements of a soundscape are randomly triggered. However, in moments when the images become still, the soundscape synchronizes with the visuals, evoking stillness.