[{"data":1,"prerenderedAt":257},["ShallowReactive",2],{"$fCZvj_JzAIF5YlB8S_vvrmKRr4PczHPU85t2FPDaVPs0":3,"$fArurHTHrNVpJW2wXDxXLjwiAl-FmWu1NUzR_eMwThUY":20},{"Artist":4,"Awards":5,"Category":6,"Collaborators":5,"Country":5,"Description":7,"Exhibitions":8,"HTML_Link":9,"id":10,"Images":11,"Links":5,"Techinical Requirements":5,"Title":12,"Year":13,"previous":14,"next":17},"Ryuichi Sakamoto + Camille Norment + Yuko Mohri","","Performance/Installation","Sound Performance by Camille Norment and Ryuichi Sakamoto in the installation \u003Ci>Breath or Echo\u003C/i> by Yuko Mohri at Sapporo City University Geijutsu-no-Mori Campus, Skyway.\nThis performance was made as part of the program of the Sapporo International Art Festival 2017.","2017 Sapporo International Art Festival 2017 [SIAF2017]","2017 \u003Ca href=\"https://mohrizm.net/works/breath-or-echo/\">Sapporo International Art Festival 2017 [SIAF2017]\u003C/a>","P12","P12. After The Echo (2017)","After The Echo","2017",{"id":15,"Title":16,"Year":13},"P11","LONDON FOG ",{"id":18,"Title":19,"Year":13},"P13","a·form",[21,24,27,30,34,37,41,48,53,57,63,68,73,80,85,90,95,100,105,109,114,118,123,128,132,136,144,153,157,165,168,178,182,187,191,195,199,204,208,213,217,221,226,230,234,238,243,247,251],{"id":22,"credits":23},"1. Let_s make the time (1991)",[],{"id":25,"credits":26},"2. Net Planet (1995)",[],{"id":28,"credits":29},"3. Remote Piano Installation (1997)",[],{"id":31,"credits":32},"4. Installation for Geo Cosmos (2001)",[33,33],"© 日本科学未来館 (Miraikan)",{"id":35,"credits":36},"5. windVibe (2002)",[],{"id":38,"credits":39},"6. Sonic Mandala The Missing Peace_ Artists Consider Dalai Lama (2006)",[40,40,40,40,40,40,40,40,40],"The Estate of Ryuichi Sakamoto",{"id":42,"credits":43},"7. LIFE - fluid, invisible, inaudible... (2007)",[44,45,46,47],"「坂本龍一｜音を視る 時を聴く」東京都現代美術館、\u003Ci>2024\u003C/i>年\n坂本龍一＋高谷史郎《LIFE–fluid, invisible, inaudible...》\u003Ci>2007\u003C/i>年 \u003Ci>©2024 Kab Inc.\u003C/i>  撮影：浅野豪　\n\n“Ryuichi Sakamoto | seeing sound, hearing time\" at Museum of Contemporary Art Tokyo, 2024\u000bRyuichi Sakamoto + Shiro Takatani, \u003Ci>LIFE–fluid, invisible, inaudible…,\u003C/i> 2007 ©2024 Kab Inc.  Photo: Takechi Asano","\u003Ci>LIFE–fluid, invisible, inaudible… \u003C/i>2007/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s Park), Chengdu, 2023\nImage courtesy of M WOODS","撮影：丸尾隆一\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Ryuichi Maruo\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]","坂本龍一＋高谷史郎 | \u003Ci>LIFE–fluid, invisible, inaudible... \n\u003C/i>\nNTT インターコミュニケーション・センター [ICC]\n撮影：福永一夫  Courtesy of ICC\n\nRyuichi Sakamoto + Shiro Takatani | \u003Ci>LIFE–fluid, invisible, inaudible... \n\u003C/i>\nNTT InterCommunication Center [ICC]\nPhoto: Kazuo Fukunaga  Courtesy of ICC",{"id":49,"credits":50},"8. silence spins (2012)",[51,52,52,52,52,52],"\u003Ci>silence spins\u003C/i>, 2012 \nPhoto: Norihiro Ueno \nInstallation view from \u003Ci>Art & Music - Search for New Synesthesia,\u003C/i> \nMuseum of Contemporary Art Tokyo, Japan","\u003Ci>silence spins\u003C/i>, 2012 \nInstallation view \nCommissioned by Sharjah Art Foundation",{"id":54,"credits":55},"9. collapsed (2012)",[56,56,56],"Photo: Norihiro Ueno",{"id":58,"credits":59},"10. Forest Symphony (2013)",[60,60,60,60,61,62,62,62],"撮影：山中慎太郎（Qsyum!）\n写真提供：山口情報芸術センター[YCAM]\nPhoto by Shintaro Yamanaka（Qsyum!）\nCourtesy: Yamaguchi Center for Arts and Media[YCAM]\nInstallation view: \u003Ci>Forest Symphony\u003C/i>, 2020, Joeiji Temple","撮影：井上嘉和\nPhoto by Yoshikazu Inoue","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo (YCAM)\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstallation view: \u003Ci>Forest Symphony\u003C/i>, 2013",{"id":64,"credits":65},"11. water state 1 (2013)",[66,66,66,66,66,67,67],"展览现场，《水的样态 1》(2013)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>water state 1\u003C/i>, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo (YCAM)\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstalltion view: \u003Ci>water state 1\u003C/i>, 2013",{"id":69,"credits":70},"12. LIFE - WELL installation (2013)",[71,71,72,72,72,72],"展览现场，《“生命-井”装置》(北京版本)(2013/2021)，坂本龙一 + 高谷史郎，“观 音·听时”, 木木美术馆(钱粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>LIFE-WELL Installation\u003C/i> (Beijing version), 2013/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstalltion view: \u003Ci>LIFE-WELL\u003C/i>, 2013, Noda Shrine",{"id":74,"credits":75},"13. Sensing Streams - invisible, inaudible (2014)",[76,77,78,79,79,79],"Ryuichi Sakamoto + Daito Manabe, \u003Ci>Sensing Streams 2024–invisible, inaudible\u003C/i> (MOT version), 2024　\n©2024 KAB Inc.　Photo: Takeshi Asano","Ryuichi Sakamoto + Daito Manabe\n\u003Ci>Sensing Streams–invisible, inaudible, \u003C/i>2014\nInstallation view at Otherly Space/Knowledge, Asia Culture Center, 2018\nPhoto by Sarah Kim.","Ryuichi Sakamoto + Daito Manabe, \u003Ci>Sensing Streams–invisible, inaudible\u003C/i>, 2014 \nInstallation view at Sapporo International Art Festival 2014\nPhoto: Keizo Kioku\nCourtesy of Sapporo International Art Festival Executive Committee","展览现场, 《感应流2021-不可见，不可闻》（2021），坂本龙一 + 真锅大度，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view,\u003Ci> Sensing Streams 2021–invisible, inaudible\u003C/i>, 2021, \nRyuichi Sakamoto + Daito Manabe, ‘seeing sound, hearing time’, \ncourtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":81,"credits":82},"14. PLANKTON_ A Drifting World at the Origin of Life (2016)",[83,83,83,83,84,84],"Kyoto Municipal Museum of Art Annex (Kyotographie Festival, 2016) \nphoto: Takuya Oshima","With Christian Sardet - photo Shiro Takatani\n© Shiro Takatani",{"id":86,"credits":87},"15. async - drowning (2017)",[88,89,89],"Installation view, \u003Ci>async–drowning\u003C/i>, 2017, WATARI-UM\nPhoto by Ryuichi Maruo\n\n\u003Ci>async–drowning\u003C/i>, 2017, async 設置音楽展, WATARI-UM\n撮影：丸尾隆一","展览现场，《异步–沉溺》(2017)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team",{"id":91,"credits":92},"16. async - volume (2017)",[93,93,94,94,94,94],"Installation view, \u003Ci>async–volume\u003C/i>, 2017, WATARI-UM\nPhoto by Ryuichi Maruo\n\n\u003Ci>async–volume\u003C/i>, 2017, async 設置音楽展, WATARI-UM\n撮影：丸尾隆一","\u003Ci>async–volume\u003C/i>, 2017, Ryuichi Sakamoto + Zakkubalan\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS",{"id":96,"credits":97},"17. async - first light (2017)",[98,99,99,99,99],"\u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","展览现场，《异步-第一束光》(2017)，坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆(钱粮胡同馆)，北京，2021 \n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.Photo by M WOODS photography team",{"id":101,"credits":102},"18. IS YOUR TIME (2017)",[103,104,104,104,104],"Installation view, \u003Ci>IS YOUR TIME, \u003C/i>2021, Taipei Music Center\nPhoto credit: fundesign.tv","展览现场, 《你的时间》（2017），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>IS YOUR TIME\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":106,"credits":107},"19. Playback 2022 (2022)",[108,108,108],"Dumb Type,\u003Ci> Playback\u003C/i>, Installation view, Haus der Kunst Munich, Photo: Shiro Takatani, © Dumb Type",{"id":110,"credits":111},"20. 2022 (2022)",[112,113,113,113,113,113,113,113,113,113,113,113],"Dumb Type,\u003Ci> 2022\u003C/i>, Installation view, Japan Pavilion at the 59th International Art Exhibition – La Biennale di Venezia, \nPhoto: Shiro Takatani, © Dumb Type, Courtesy of The Japan Foundation","Dumb Type, \u003Ci>2022\u003C/i>, Installation view, Japan Pavilion at the 59th International Art Exhibition – La Biennale di Venezia\nPhoto: Yuki Seli © Dumb Type, Courtesy of The Japan Foundation",{"id":115,"credits":116},"21. KAGAMI (2023)",[117,117,117,117,117,117,117],"\u003Ci>KAGAMI\u003C/i>, 2023, The Shed\n© The Shed",{"id":119,"credits":120},"22. TIME-déluge (2023)",[121,122],"\u003Ci>TIME–déluge\u003C/i>, 2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME–déluge\u003C/i>, 2023\nForest Festival of the Arts Okayama\nPhoto by Kenryou Gu",{"id":124,"credits":125},"23. async - immersion (2023)",[126,126,126,127],"\u003Ci>async–immersion 2023\u003C/i>, Ambient Kyoto\nPhoto by Satoshi Nagare","\"Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024 \nRyuichi Sakamoto + Shiro Takatani, \u003Ci>async–immersion tokyo\u003C/i>, 2024 ©2024 KAB Inc. Photography: Takeshi Asano\n\n「坂本龍一｜音を視る 時を聴く」東京都現代美術館、2024年\n坂本龍一＋高谷史郎《\u003Ci>async–immersion tokyo\u003C/i>》2024年　©2024 KAB Inc.　撮影：浅野豪",{"id":129,"credits":130},"24. Music Plays Images x Images Play Music (2024)",[131],"「坂本龍一｜音を視る 時を聴く」 東京都現代美術館、2024年\n坂本龍一×岩井俊雄《Music Plays Images X Images Play Music》1996–1997/2024　\n© 2024 KAB Inc.　 撮影：丸尾隆一\n\u003Ci>Ryuichi Sakamoto | seeing sound, hearing time, \u003C/i>Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto × Toshio Iwai, \u003Ci>Music Plays Images X Images Play Music \u003C/i>1996–1997/2024\n© 2024 KAB Inc.  Photo: Ryuichi Maruo",{"id":133,"credits":134},"25. TIME TIME (2024)",[135],"「坂本龍一｜音を視る 時を聴く」東京都現代美術館、2024年\n坂本龍一＋高谷史郎《TIME TIME》2024年　©2024 KAB Inc.　 撮影：福永一夫\n“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> TIME TIME\u003C/i>, 2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga",{"id":137,"credits":138},"E1. Ryuichi Sakamoto_ Life, Life (2018)",[139,140,141,40,142,142,142,143],"Archive on \u003Ci>async\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>async–surround\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>async–volume\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>LIFE–fluid, invisible, inaudible…\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>water state 1\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT",{"id":145,"credits":146},"E2. Ryuichi Sakamoto_ seeing sound hearing time (2021)",[104,104,104,147,147,147,71,71,148,148,149,150,151,151,152],"展览现场，《生命-流动，不可见，不可闻···》（2007/2021），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>LIFE–fluid, invisible, inaudible...\u003C/i>, 2007/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team","展览现场，《水的样态 1》(2013)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>water state 1\u003C/i>, 2013, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场, 《感应流2021-不可见，不可闻》（2021），坂本龙一 + 真锅大度，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>Sensing Streams 2021–invisible, inaudible\u003C/i>, 2021, Ryuichi Sakamoto + Daito Manabe, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team","展览现场，《异步-空间脉动》(2017)，坂本龙一+ 卅克柏岚，“观音·听时”, 木木美术馆 (钱粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–volume\u003C/i>, 2017, Ryuichi Sakamoto + Zakkubalan, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场，《异步-沉溺》(2017)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场，《异步-第一束光》(2017)，坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":154,"credits":155},"E3. YCAM ART-ENVIRONMENT_LIFE 2021 (2021)",[156,156,156,156,156,156,156,156,156,156,156,156,156,156],"撮影：山中慎太郎（Qsyum!）\n写真提供：山口情報芸術センター[YCAM]\nPhoto by Shintaro Yamanaka（Qsyum!）\nCourtesy: Yamaguchi Center for Arts and Media[YCAM]",{"id":158,"credits":159},"E4. Ryuichi Sakamoto _ SOUND AND TIME (2023)",[160,161,162,163,164,94,98,121],"\u003Ci>IS YOUR TIME\u003C/i>, 2017/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>Sensing Streams 2023–invisible, inaudible\u003C/i>, 2023, Ryuichi Sakamoto + Daito Manabe\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>water state 1\u003C/i>, 2013, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>LIFE–fluid, invisible, inaudible…\u003C/i> 2007/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS",{"id":166,"credits":167},"E5. sakamotocommon GINZA",[],{"id":169,"credits":170},"E6. Ryuichi Sakamoto _ seeing sound, hearing time",[171,172,173,174,175,176,177,177],"“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> LIFE–fluid, invisible, inaudible...\u003C/i>, 2007 ©2024 KAB Inc. Photography: Takeshi Asano","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> async–immersion tokyo\u003C/i>, 2024 ©2024 KAB Inc. Photography: Takeshi Asano","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> TIME TIME\u003C/i>, 2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto with Shiro Takatani,\u003Ci> IS YOUR TIME\u003C/i>, 2017/2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> LIFE–fluid, invisible, inaudible...\u003C/i>, 2007 ©2024 KAB Inc. Photography: Ryuichi Maruo","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Toshio Iwai,\u003Ci> Music Plays Images X Images Play Music\u003C/i>, 1996-1997/2024 ©2024 KAB Inc. Photography: Ryuichi Maruo","Min Tanaka Site-specific Dance performance at Ryuichi Sakamoto + Fujiko Nakaya + Shiro Takatani, \u003Ci>LIFE–WELL TOKYO,\u003C/i> Fog Sculpture #47662\nPhoto: Itaru Hirama",{"id":179,"credits":180},"E7. sakamotocommon OSAKA",[181,181,181,181,181,181,181,181],"sakamotocommon OSAKA 1970/2025/OSAKA/RYUICHI SAKAMOTO 2025 ©2025 KAB Inc., VS. Joint Partnership \nPhoto by Asano Takeshi",{"id":183,"credits":184},"P1. TV WAR (1985)",[185,186,185,185,185],"Photo by Tetsuro Yamamoto\n撮影：山本哲郎","Photo by Kunio Yoshie\n撮影：義江邦夫",{"id":188,"credits":189},"P2. D&L Internet Live Concert (1995)",[190,190,190,190,190,190,190,190],"© The Estate of Ryuichi Sakamoto",{"id":192,"credits":193},"P3. Music Plays Images x Images Play Music (1997)",[194,194,194,194],"© Ars Electronica Linz GmbH",{"id":196,"credits":197},"P4. LIFE (1999)",[198,198,198,198,198,198,198],"Photo by Mikiya Takimoto\n© 1999 Kab Inc.",{"id":200,"credits":201},"P5. Garden Series vol.1_ Experimental Live at Honen-in Zen Temple (2005)",[202,202,202,202,203,203],"坂本龍一＋高谷史郎「庭園シリーズ vol. 1《Live@法然院》」2005年\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>Garden Series vol.1 ‘Experimental Live at Hounen-in Zen temple’2005\n\u003C/i>","坂本龍一＋高谷史郎「庭園シリーズ vol. 2《Live@大徳寺・養徳院》」2007年\n撮影：國崎晋\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>Garden Series vol.2 ‘Experimental Live at Daitoku-ji temple Yotokuin’2007\n\u003C/i>\nPhoto by Susumu Kunisaki",{"id":205,"credits":206},"P6. utp_ (2007)",[207,207,207],"photos: hans jörg michel\ncourtesy büro 2007, mannheim",{"id":209,"credits":210},"P7. LIFE WELL (2013)",[211,211,212],"撮影：イトウユウヤ\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Yuya Itou\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]","撮影：田邊アツシ\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Atsushi Tanabe\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]",{"id":214,"credits":215},"P8. Strange Music for Nam June Paik (2013)",[216,216,216,216,216,216],"Still image from performance, \u003Ci>Strange Music for Nam June Paik\u003C/i>, 2013\nCourtesy of Smithsonian American Art Museum",{"id":218,"credits":219},"P9. Alva Noto + Ryuichi Sakamoto at The Glass House (2016)",[220],"Photo courtesy of the Glass House",{"id":222,"credits":223},"P10. async live (2017)",[224,224,224,224,225],"Still from the documentary film, \u003Ci>Ryuichi Sakamoto: CODA\n\u003C/i>\nⒸSKMTDOC, LLC","Photo: Da Ping Luo © 2017, Courtesy of Park Avenue Armory",{"id":227,"credits":228},"P11. LONDON FOG (2017)",[229,229,229,229],"中谷芙二子＋坂本龍一＋田中泯＋高谷史郎 《Fog sculpture #03779 “London Fog”》テート・モダン 2017年\n撮影：石原淋\nFujiko Nakaya + Ryuichi Sakamoto + Min Tanaka + Shiro Takatani, \u003Ci>Fog sculpture \u003C/i>#03779 \u003Ci>London Fog, \u003C/i>Tate Modern, 2017\nPhoto by Rin Ishihara",{"id":11,"credits":231},[232,233,233,233],"Still image of performance \u003Ci>After The Echo\u003C/i> by Camille Norment and Ryuichi Sakamoto in\u003Ci> Breath or Echo\n\u003C/i>","Yuko Mohri, \u003Ci>Breath or Echo\u003C/i>, Sapporo International Art Festival 2017\nphoto: Ikuya Sasaki",{"id":235,"credits":236},"P13 a·form (2017)",[237,237,237,237],"Ultimafestivalen 2017 / Foto: Andreas Turau ©",{"id":239,"credits":240},"P14. dis·play (2018)",[241,242,242,242,242,242],"photo by Manuela Martorelli","© David Gallard pour le lieu unique",{"id":244,"credits":245},"P15. Voluta (2018)",[246,246,246],"Live: Ryuichi Sakamoto with Yuko Mohri at Camden Arts Centre, 2018. Courtesy Camden Arts Centre. Photo: Mark Blower",{"id":248,"credits":249},"P16. fragments (2019)",[250,190,250,250,250,250],"Courtesy of Arts House Limited",{"id":252,"credits":253},"P17. TIME (2021)",[254,254,254,255,255,255,255,256,256,256,256],"Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nWestergas - Gashouder, Holland Festival, 2021\n© Sanne Peper","Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nNational Taichung Theater, 2024\nⓒ LIN CHUN-YUNG, National Taichung Theater","坂本龍一 ＋ 高谷史郎　『TIME』\n東京・新国立劇場（2024年）\n撮影：井上嘉和\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nNew National Theatre Tokyo, 2024\nphoto by Yoshikazu Inoue",1775179320926]