[{"data":1,"prerenderedAt":259},["ShallowReactive",2],{"$fPunsPzVuq1RE9htdWFR8OqD9wAIgEraU3-Hdxzlylo4":3,"$fArurHTHrNVpJW2wXDxXLjwiAl-FmWu1NUzR_eMwThUY":22},{"Artist":4,"Awards":5,"Category":6,"Collaborators":5,"Country":5,"Description":7,"Exhibitions":8,"HTML_Link":9,"id":10,"Images":11,"Links":5,"Techinical Requirements":12,"Title":13,"Year":14,"previous":15,"next":18},"Ryuichi Sakamoto + Shiro Takatani","","Installation","\u003Ci>TIME TIME\u003C/i> is a new installation work based on the theater piece \u003Ci>TIME\u003C/i>. In \u003Ci>TIME\u003C/i>, Sakamoto delved deeper into asynchronism, borrowing the structure of “Mugen Noh,” a type of Noh whose story takes place in a dream, to pursue the question, “What is time?” Creating a dreamscape inspired by Natsume Soseki’s \u003Ci>Ten Nights of Dreams\u003C/i>, the Noh play \u003Ci>Kantan\u003C/i>, and Zhuang Zhou’s \u003Ci>The Butterfly Dream\u003C/i>, the theater piece brought different kinds of time into intersection—a moment and an eternity, a fleeting sleep and 100 years of time lived in a dream—and attempted to reexamine the concept and very existence of time. It also symbolically evoked a human being exhausting himself in a futile attempt to create a path, striving against nature’s overwhelming power. The theater piece and this installation were conceived as manifestations of something that cannot exist in reality. \n\u003Ci>TIME TIME\u003C/i> uses “water” as its stage, water being a substance of importance to Sakamoto, which he employed in various forms in his works. The installation combines new footage of Mayumi Miyata (filmed by Takatani for this work) playing a Japanese reed instrument, the sho, and video of Min Tanaka’s appearance in \u003Ci>TIME\u003C/i> to express on three screens the three key elements portrayed in the theater piece—“Creating a Path”, \u003Ci>Ten Nights of Dreams\u003C/i>, and \u003Ci>Kantan\u003C/i>. Sakamoto’s music flows freely in and out of the three screens, and a dream world transcending time and space, with no beginning or end, quietly unfolds.\n","2024 - 2025 Museum of Contemporary Art Tokyo [MOT]","2024 - 2025 \u003Ca href=\"https://www.mot-art-museum.jp/en/exhibitions/RS/\">Museum of Contemporary Art Tokyo [MOT]\u003C/a>",25,"25. TIME TIME (2024)","Minimum Space Dimensions\nW 24m x D 12m x H 4m\n- water \n- water filteration system\n- 20m x 5m shallow water pool\n- black sand (1.2 ton chromite sand)\n- speakers\n- audio Interface\n- 3 x projectors and lenses\n- 2 x computers (mac bookpro, mac studio)\n- 3 x black PVC screen and frame\n- 3 x wooden benches\n\u2028*require water access ","TIME TIME","2024",{"id":16,"Title":17,"Year":14},"24","Music Plays Images x Images Play Music",{"id":19,"Title":20,"Year":21},"E1","Ryuichi Sakamoto: Life, Life","2018",[23,26,29,32,36,39,43,50,55,59,65,70,75,82,87,92,97,102,107,111,116,120,125,130,134,137,145,154,158,166,169,179,183,188,192,196,200,205,209,214,218,222,227,231,236,240,245,249,253],{"id":24,"credits":25},"1. Let_s make the time (1991)",[],{"id":27,"credits":28},"2. Net Planet (1995)",[],{"id":30,"credits":31},"3. Remote Piano Installation (1997)",[],{"id":33,"credits":34},"4. Installation for Geo Cosmos (2001)",[35,35],"© 日本科学未来館 (Miraikan)",{"id":37,"credits":38},"5. windVibe (2002)",[],{"id":40,"credits":41},"6. Sonic Mandala The Missing Peace_ Artists Consider Dalai Lama (2006)",[42,42,42,42,42,42,42,42,42],"The Estate of Ryuichi Sakamoto",{"id":44,"credits":45},"7. LIFE - fluid, invisible, inaudible... (2007)",[46,47,48,49],"「坂本龍一｜音を視る 時を聴く」東京都現代美術館、\u003Ci>2024\u003C/i>年\n坂本龍一＋高谷史郎《LIFE–fluid, invisible, inaudible...》\u003Ci>2007\u003C/i>年 \u003Ci>©2024 Kab Inc.\u003C/i>  撮影：浅野豪　\n\n“Ryuichi Sakamoto | seeing sound, hearing time\" at Museum of Contemporary Art Tokyo, 2024\u000bRyuichi Sakamoto + Shiro Takatani, \u003Ci>LIFE–fluid, invisible, inaudible…,\u003C/i> 2007 ©2024 Kab Inc.  Photo: Takechi Asano","\u003Ci>LIFE–fluid, invisible, inaudible… \u003C/i>2007/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s Park), Chengdu, 2023\nImage courtesy of M WOODS","撮影：丸尾隆一\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Ryuichi Maruo\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]","坂本龍一＋高谷史郎 | \u003Ci>LIFE–fluid, invisible, inaudible... \n\u003C/i>\nNTT インターコミュニケーション・センター [ICC]\n撮影：福永一夫  Courtesy of ICC\n\nRyuichi Sakamoto + Shiro Takatani | \u003Ci>LIFE–fluid, invisible, inaudible... \n\u003C/i>\nNTT InterCommunication Center [ICC]\nPhoto: Kazuo Fukunaga  Courtesy of ICC",{"id":51,"credits":52},"8. silence spins (2012)",[53,54,54,54,54,54],"\u003Ci>silence spins\u003C/i>, 2012 \nPhoto: Norihiro Ueno \nInstallation view from \u003Ci>Art & Music - Search for New Synesthesia,\u003C/i> \nMuseum of Contemporary Art Tokyo, Japan","\u003Ci>silence spins\u003C/i>, 2012 \nInstallation view \nCommissioned by Sharjah Art Foundation",{"id":56,"credits":57},"9. collapsed (2012)",[58,58,58],"Photo: Norihiro Ueno",{"id":60,"credits":61},"10. Forest Symphony (2013)",[62,62,62,62,63,64,64,64],"撮影：山中慎太郎（Qsyum!）\n写真提供：山口情報芸術センター[YCAM]\nPhoto by Shintaro Yamanaka（Qsyum!）\nCourtesy: Yamaguchi Center for Arts and Media[YCAM]\nInstallation view: \u003Ci>Forest Symphony\u003C/i>, 2020, Joeiji Temple","撮影：井上嘉和\nPhoto by Yoshikazu Inoue","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo (YCAM)\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstallation view: \u003Ci>Forest Symphony\u003C/i>, 2013",{"id":66,"credits":67},"11. water state 1 (2013)",[68,68,68,68,68,69,69],"展览现场，《水的样态 1》(2013)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>water state 1\u003C/i>, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo (YCAM)\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstalltion view: \u003Ci>water state 1\u003C/i>, 2013",{"id":71,"credits":72},"12. LIFE - WELL installation (2013)",[73,73,74,74,74,74],"展览现场，《“生命-井”装置》(北京版本)(2013/2021)，坂本龙一 + 高谷史郎，“观 音·听时”, 木木美术馆(钱粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>LIFE-WELL Installation\u003C/i> (Beijing version), 2013/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstalltion view: \u003Ci>LIFE-WELL\u003C/i>, 2013, Noda Shrine",{"id":76,"credits":77},"13. Sensing Streams - invisible, inaudible (2014)",[78,79,80,81,81,81],"Ryuichi Sakamoto + Daito Manabe, \u003Ci>Sensing Streams 2024–invisible, inaudible\u003C/i> (MOT version), 2024　\n©2024 KAB Inc.　Photo: Takeshi Asano","Ryuichi Sakamoto + Daito Manabe\n\u003Ci>Sensing Streams–invisible, inaudible, \u003C/i>2014\nInstallation view at Otherly Space/Knowledge, Asia Culture Center, 2018\nPhoto by Sarah Kim.","Ryuichi Sakamoto + Daito Manabe, \u003Ci>Sensing Streams–invisible, inaudible\u003C/i>, 2014 \nInstallation view at Sapporo International Art Festival 2014\nPhoto: Keizo Kioku\nCourtesy of Sapporo International Art Festival Executive Committee","展览现场, 《感应流2021-不可见，不可闻》（2021），坂本龙一 + 真锅大度，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view,\u003Ci> Sensing Streams 2021–invisible, inaudible\u003C/i>, 2021, \nRyuichi Sakamoto + Daito Manabe, ‘seeing sound, hearing time’, \ncourtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":83,"credits":84},"14. PLANKTON_ A Drifting World at the Origin of Life (2016)",[85,85,85,85,86,86],"Kyoto Municipal Museum of Art Annex (Kyotographie Festival, 2016) \nphoto: Takuya Oshima","With Christian Sardet - photo Shiro Takatani\n© Shiro Takatani",{"id":88,"credits":89},"15. async - drowning (2017)",[90,91,91],"Installation view, \u003Ci>async–drowning\u003C/i>, 2017, WATARI-UM\nPhoto by Ryuichi Maruo\n\n\u003Ci>async–drowning\u003C/i>, 2017, async 設置音楽展, WATARI-UM\n撮影：丸尾隆一","展览现场，《异步–沉溺》(2017)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team",{"id":93,"credits":94},"16. async - volume (2017)",[95,95,96,96,96,96],"Installation view, \u003Ci>async–volume\u003C/i>, 2017, WATARI-UM\nPhoto by Ryuichi Maruo\n\n\u003Ci>async–volume\u003C/i>, 2017, async 設置音楽展, WATARI-UM\n撮影：丸尾隆一","\u003Ci>async–volume\u003C/i>, 2017, Ryuichi Sakamoto + Zakkubalan\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS",{"id":98,"credits":99},"17. async - first light (2017)",[100,101,101,101,101],"\u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","展览现场，《异步-第一束光》(2017)，坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆(钱粮胡同馆)，北京，2021 \n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.Photo by M WOODS photography team",{"id":103,"credits":104},"18. IS YOUR TIME (2017)",[105,106,106,106,106],"Installation view, \u003Ci>IS YOUR TIME, \u003C/i>2021, Taipei Music Center\nPhoto credit: fundesign.tv","展览现场, 《你的时间》（2017），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>IS YOUR TIME\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":108,"credits":109},"19. Playback 2022 (2022)",[110,110,110],"Dumb Type,\u003Ci> Playback\u003C/i>, Installation view, Haus der Kunst Munich, Photo: Shiro Takatani, © Dumb Type",{"id":112,"credits":113},"20. 2022 (2022)",[114,115,115,115,115,115,115,115,115,115,115,115],"Dumb Type,\u003Ci> 2022\u003C/i>, Installation view, Japan Pavilion at the 59th International Art Exhibition – La Biennale di Venezia, \nPhoto: Shiro Takatani, © Dumb Type, Courtesy of The Japan Foundation","Dumb Type, \u003Ci>2022\u003C/i>, Installation view, Japan Pavilion at the 59th International Art Exhibition – La Biennale di Venezia\nPhoto: Yuki Seli © Dumb Type, Courtesy of The Japan Foundation",{"id":117,"credits":118},"21. KAGAMI (2023)",[119,119,119,119,119,119,119],"\u003Ci>KAGAMI\u003C/i>, 2023, The Shed\n© The Shed",{"id":121,"credits":122},"22. TIME-déluge (2023)",[123,124],"\u003Ci>TIME–déluge\u003C/i>, 2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME–déluge\u003C/i>, 2023\nForest Festival of the Arts Okayama\nPhoto by Kenryou Gu",{"id":126,"credits":127},"23. async - immersion (2023)",[128,128,128,129],"\u003Ci>async–immersion 2023\u003C/i>, Ambient Kyoto\nPhoto by Satoshi Nagare","\"Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024 \nRyuichi Sakamoto + Shiro Takatani, \u003Ci>async–immersion tokyo\u003C/i>, 2024 ©2024 KAB Inc. Photography: Takeshi Asano\n\n「坂本龍一｜音を視る 時を聴く」東京都現代美術館、2024年\n坂本龍一＋高谷史郎《\u003Ci>async–immersion tokyo\u003C/i>》2024年　©2024 KAB Inc.　撮影：浅野豪",{"id":131,"credits":132},"24. Music Plays Images x Images Play Music (2024)",[133],"「坂本龍一｜音を視る 時を聴く」 東京都現代美術館、2024年\n坂本龍一×岩井俊雄《Music Plays Images X Images Play Music》1996–1997/2024　\n© 2024 KAB Inc.　 撮影：丸尾隆一\n\u003Ci>Ryuichi Sakamoto | seeing sound, hearing time, \u003C/i>Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto × Toshio Iwai, \u003Ci>Music Plays Images X Images Play Music \u003C/i>1996–1997/2024\n© 2024 KAB Inc.  Photo: Ryuichi Maruo",{"id":11,"credits":135},[136],"「坂本龍一｜音を視る 時を聴く」東京都現代美術館、2024年\n坂本龍一＋高谷史郎《TIME TIME》2024年　©2024 KAB Inc.　 撮影：福永一夫\n“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> TIME TIME\u003C/i>, 2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga",{"id":138,"credits":139},"E1. Ryuichi Sakamoto_ Life, Life (2018)",[140,141,142,42,143,143,143,144],"Archive on \u003Ci>async\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>async–surround\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>async–volume\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>LIFE–fluid, invisible, inaudible…\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>water state 1\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT",{"id":146,"credits":147},"E2. Ryuichi Sakamoto_ seeing sound hearing time (2021)",[106,106,106,148,148,148,73,73,149,149,150,151,152,152,153],"展览现场，《生命-流动，不可见，不可闻···》（2007/2021），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>LIFE–fluid, invisible, inaudible...\u003C/i>, 2007/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team","展览现场，《水的样态 1》(2013)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>water state 1\u003C/i>, 2013, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场, 《感应流2021-不可见，不可闻》（2021），坂本龙一 + 真锅大度，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>Sensing Streams 2021–invisible, inaudible\u003C/i>, 2021, Ryuichi Sakamoto + Daito Manabe, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team","展览现场，《异步-空间脉动》(2017)，坂本龙一+ 卅克柏岚，“观音·听时”, 木木美术馆 (钱粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–volume\u003C/i>, 2017, Ryuichi Sakamoto + Zakkubalan, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场，《异步-沉溺》(2017)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场，《异步-第一束光》(2017)，坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":155,"credits":156},"E3. YCAM ART-ENVIRONMENT_LIFE 2021 (2021)",[157,157,157,157,157,157,157,157,157,157,157,157,157,157],"撮影：山中慎太郎（Qsyum!）\n写真提供：山口情報芸術センター[YCAM]\nPhoto by Shintaro Yamanaka（Qsyum!）\nCourtesy: Yamaguchi Center for Arts and Media[YCAM]",{"id":159,"credits":160},"E4. Ryuichi Sakamoto _ SOUND AND TIME (2023)",[161,162,163,164,165,96,100,123],"\u003Ci>IS YOUR TIME\u003C/i>, 2017/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>Sensing Streams 2023–invisible, inaudible\u003C/i>, 2023, Ryuichi Sakamoto + Daito Manabe\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>water state 1\u003C/i>, 2013, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>LIFE–fluid, invisible, inaudible…\u003C/i> 2007/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS",{"id":167,"credits":168},"E5. sakamotocommon GINZA",[],{"id":170,"credits":171},"E6. Ryuichi Sakamoto _ seeing sound, hearing time",[172,173,174,175,176,177,178,178],"“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> LIFE–fluid, invisible, inaudible...\u003C/i>, 2007 ©2024 KAB Inc. Photography: Takeshi Asano","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> async–immersion tokyo\u003C/i>, 2024 ©2024 KAB Inc. Photography: Takeshi Asano","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> TIME TIME\u003C/i>, 2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto with Shiro Takatani,\u003Ci> IS YOUR TIME\u003C/i>, 2017/2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> LIFE–fluid, invisible, inaudible...\u003C/i>, 2007 ©2024 KAB Inc. Photography: Ryuichi Maruo","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Toshio Iwai,\u003Ci> Music Plays Images X Images Play Music\u003C/i>, 1996-1997/2024 ©2024 KAB Inc. Photography: Ryuichi Maruo","Min Tanaka Site-specific Dance performance at Ryuichi Sakamoto + Fujiko Nakaya + Shiro Takatani, \u003Ci>LIFE–WELL TOKYO,\u003C/i> Fog Sculpture #47662\nPhoto: Itaru Hirama",{"id":180,"credits":181},"E7. sakamotocommon OSAKA",[182,182,182,182,182,182,182,182],"sakamotocommon OSAKA 1970/2025/OSAKA/RYUICHI SAKAMOTO 2025 ©2025 KAB Inc., VS. Joint Partnership \nPhoto by Asano Takeshi",{"id":184,"credits":185},"P1. TV WAR (1985)",[186,187,186,186,186],"Photo by Tetsuro Yamamoto\n撮影：山本哲郎","Photo by Kunio Yoshie\n撮影：義江邦夫",{"id":189,"credits":190},"P2. D&L Internet Live Concert (1995)",[191,191,191,191,191,191,191,191],"© The Estate of Ryuichi Sakamoto",{"id":193,"credits":194},"P3. Music Plays Images x Images Play Music (1997)",[195,195,195,195],"© Ars Electronica Linz GmbH",{"id":197,"credits":198},"P4. LIFE (1999)",[199,199,199,199,199,199,199],"Photo by Mikiya Takimoto\n© 1999 Kab Inc.",{"id":201,"credits":202},"P5. Garden Series vol.1_ Experimental Live at Honen-in Zen Temple (2005)",[203,203,203,203,204,204],"坂本龍一＋高谷史郎「庭園シリーズ vol. 1《Live@法然院》」2005年\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>Garden Series vol.1 ‘Experimental Live at Hounen-in Zen temple’2005\n\u003C/i>","坂本龍一＋高谷史郎「庭園シリーズ vol. 2《Live@大徳寺・養徳院》」2007年\n撮影：國崎晋\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>Garden Series vol.2 ‘Experimental Live at Daitoku-ji temple Yotokuin’2007\n\u003C/i>\nPhoto by Susumu Kunisaki",{"id":206,"credits":207},"P6. utp_ (2007)",[208,208,208],"photos: hans jörg michel\ncourtesy büro 2007, mannheim",{"id":210,"credits":211},"P7. LIFE WELL (2013)",[212,212,213],"撮影：イトウユウヤ\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Yuya Itou\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]","撮影：田邊アツシ\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Atsushi Tanabe\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]",{"id":215,"credits":216},"P8. Strange Music for Nam June Paik (2013)",[217,217,217,217,217,217],"Still image from performance, \u003Ci>Strange Music for Nam June Paik\u003C/i>, 2013\nCourtesy of Smithsonian American Art Museum",{"id":219,"credits":220},"P9. Alva Noto + Ryuichi Sakamoto at The Glass House (2016)",[221],"Photo courtesy of the Glass House",{"id":223,"credits":224},"P10. async live (2017)",[225,225,225,225,226],"Still from the documentary film, \u003Ci>Ryuichi Sakamoto: CODA\n\u003C/i>\nⒸSKMTDOC, LLC","Photo: Da Ping Luo © 2017, Courtesy of Park Avenue Armory",{"id":228,"credits":229},"P11. LONDON FOG (2017)",[230,230,230,230],"中谷芙二子＋坂本龍一＋田中泯＋高谷史郎 《Fog sculpture #03779 “London Fog”》テート・モダン 2017年\n撮影：石原淋\nFujiko Nakaya + Ryuichi Sakamoto + Min Tanaka + Shiro Takatani, \u003Ci>Fog sculpture \u003C/i>#03779 \u003Ci>London Fog, \u003C/i>Tate Modern, 2017\nPhoto by Rin Ishihara",{"id":232,"credits":233},"P12. After The Echo (2017)",[234,235,235,235],"Still image of performance \u003Ci>After The Echo\u003C/i> by Camille Norment and Ryuichi Sakamoto in\u003Ci> Breath or Echo\n\u003C/i>","Yuko Mohri, \u003Ci>Breath or Echo\u003C/i>, Sapporo International Art Festival 2017\nphoto: Ikuya Sasaki",{"id":237,"credits":238},"P13 a·form (2017)",[239,239,239,239],"Ultimafestivalen 2017 / Foto: Andreas Turau ©",{"id":241,"credits":242},"P14. dis·play (2018)",[243,244,244,244,244,244],"photo by Manuela Martorelli","© David Gallard pour le lieu unique",{"id":246,"credits":247},"P15. Voluta (2018)",[248,248,248],"Live: Ryuichi Sakamoto with Yuko Mohri at Camden Arts Centre, 2018. Courtesy Camden Arts Centre. Photo: Mark Blower",{"id":250,"credits":251},"P16. fragments (2019)",[252,191,252,252,252,252],"Courtesy of Arts House Limited",{"id":254,"credits":255},"P17. TIME (2021)",[256,256,256,257,257,257,257,258,258,258,258],"Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nWestergas - Gashouder, Holland Festival, 2021\n© Sanne Peper","Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nNational Taichung Theater, 2024\nⓒ LIN CHUN-YUNG, National Taichung Theater","坂本龍一 ＋ 高谷史郎　『TIME』\n東京・新国立劇場（2024年）\n撮影：井上嘉和\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nNew National Theatre Tokyo, 2024\nphoto by Yoshikazu Inoue",1775179320808]