[{"data":1,"prerenderedAt":258},["ShallowReactive",2],{"$fzHCDnhNzjgS9eIfYkNVyqNfqXMmJsHczOGl-LF9v40A":3,"$fArurHTHrNVpJW2wXDxXLjwiAl-FmWu1NUzR_eMwThUY":21},{"Artist":4,"Awards":5,"Category":6,"Collaborators":5,"Country":5,"Description":7,"Exhibitions":8,"HTML_Link":9,"id":10,"Images":11,"Links":5,"Techinical Requirements":12,"Title":13,"Year":14,"previous":15,"next":18},"Ryuichi Sakamoto + Zakkubalan","","Installation","In a dark room, 24 iPhones and iPads glimmer like small windows, arranged on the walls as they would in a photography exhibition. Sounds quietly emanate from each device, growing distinct only as one approaches each of them.\n\nThe moving images on-screen depict Sakamoto’s home studio, living room, and garden in New York—places where the artist spent much of his time while working on async, his first album in eight years. The fragmented videos join corresponding environmental field recordings and a mix of stems from the album, culminating in this installation piece.\n\u003Ci>async–volume\u003C/i> is the work of Zakkubalan (artist duo Neo Sora and Albert Tholen), whose primary focus has been producing film works. When asked to create a “behind-the-scenes” visual work exploring Sakamoto’s creative process, Zakkubalan eschewed conventional documentary style, opting instead to capture the landscapes that surround Sakamoto and the various traces and evocations of him. They attempted to draw a portrait that would make the presence of the artist felt without showing the artist himself.\n\nThe small screens draw the viewer close, so they are unable to see all of the images at once and can only peek into each window separately. As the viewer moves towards a window, the sound from that device grows more prominent, pushing away the other elements in the soundscape. As a person moves through the room, their path creates a unique mixture within the soundscape—a personal, individual experience for each viewer.\nEnveloped in the womb-like embrace of sound and darkness, the viewer glimpses Sakamoto’s inner life from the inside-out through the many windows that open up into their own small worlds.","2017 The Watari Museum of Contemporary Art [WATARI-UM], Tokyo\n2019 Piknic, Korea\n2021 MWOODS, Beijing\n2021 The David Ireland House at 500 Capp Street, San Francisco\n2023 M WOODS People's Park - Chengdu\n2024 - 2025 Museum of Contemporary Art Tokyo [MOT]","2017 \u003Ca href=\"http://www.watarium.co.jp/exhibition/1704sakamoto/index.html\">The Watari Museum of Contemporary Art [WATARI-UM], Tokyo\u003C/a>\n2019 Piknic, Korea\n2021 MWOODS, Beijing\n2021 The David Ireland House at 500 Capp Street, San Francisco\n2023 M WOODS People's Park - Chengdu\n2024 - 2025 Museum of Contemporary Art Tokyo [MOT]",16,"16. async - volume (2017)","Minimum Space Dimensions\nW 7m x D 3m x H 2.4m\n- black wall\n- black floor\n- 13 x iphone11\n- 7 x ipad mini \n- 5 x ipad pro\n- 15 x charging cables \n- subwoofer\n*the installtion needs complete darkness\n*require behind-the-wall path for routing of the cables","async−volume ","2017",{"id":16,"Title":17,"Year":14},"15","async−drowning",{"id":19,"Title":20,"Year":14},"17","async−first light",[22,25,28,31,35,38,42,49,54,58,64,69,74,81,86,91,95,100,105,109,114,118,123,128,132,136,144,153,157,165,168,178,182,187,191,195,199,204,208,213,217,221,226,230,235,239,244,248,252],{"id":23,"credits":24},"1. Let_s make the time (1991)",[],{"id":26,"credits":27},"2. Net Planet (1995)",[],{"id":29,"credits":30},"3. Remote Piano Installation (1997)",[],{"id":32,"credits":33},"4. Installation for Geo Cosmos (2001)",[34,34],"© 日本科学未来館 (Miraikan)",{"id":36,"credits":37},"5. windVibe (2002)",[],{"id":39,"credits":40},"6. Sonic Mandala The Missing Peace_ Artists Consider Dalai Lama (2006)",[41,41,41,41,41,41,41,41,41],"The Estate of Ryuichi Sakamoto",{"id":43,"credits":44},"7. LIFE - fluid, invisible, inaudible... (2007)",[45,46,47,48],"「坂本龍一｜音を視る 時を聴く」東京都現代美術館、\u003Ci>2024\u003C/i>年\n坂本龍一＋高谷史郎《LIFE–fluid, invisible, inaudible...》\u003Ci>2007\u003C/i>年 \u003Ci>©2024 Kab Inc.\u003C/i>  撮影：浅野豪　\n\n“Ryuichi Sakamoto | seeing sound, hearing time\" at Museum of Contemporary Art Tokyo, 2024\u000bRyuichi Sakamoto + Shiro Takatani, \u003Ci>LIFE–fluid, invisible, inaudible…,\u003C/i> 2007 ©2024 Kab Inc.  Photo: Takechi Asano","\u003Ci>LIFE–fluid, invisible, inaudible… \u003C/i>2007/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s Park), Chengdu, 2023\nImage courtesy of M WOODS","撮影：丸尾隆一\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Ryuichi Maruo\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]","坂本龍一＋高谷史郎 | \u003Ci>LIFE–fluid, invisible, inaudible... \n\u003C/i>\nNTT インターコミュニケーション・センター [ICC]\n撮影：福永一夫  Courtesy of ICC\n\nRyuichi Sakamoto + Shiro Takatani | \u003Ci>LIFE–fluid, invisible, inaudible... \n\u003C/i>\nNTT InterCommunication Center [ICC]\nPhoto: Kazuo Fukunaga  Courtesy of ICC",{"id":50,"credits":51},"8. silence spins (2012)",[52,53,53,53,53,53],"\u003Ci>silence spins\u003C/i>, 2012 \nPhoto: Norihiro Ueno \nInstallation view from \u003Ci>Art & Music - Search for New Synesthesia,\u003C/i> \nMuseum of Contemporary Art Tokyo, Japan","\u003Ci>silence spins\u003C/i>, 2012 \nInstallation view \nCommissioned by Sharjah Art Foundation",{"id":55,"credits":56},"9. collapsed (2012)",[57,57,57],"Photo: Norihiro Ueno",{"id":59,"credits":60},"10. Forest Symphony (2013)",[61,61,61,61,62,63,63,63],"撮影：山中慎太郎（Qsyum!）\n写真提供：山口情報芸術センター[YCAM]\nPhoto by Shintaro Yamanaka（Qsyum!）\nCourtesy: Yamaguchi Center for Arts and Media[YCAM]\nInstallation view: \u003Ci>Forest Symphony\u003C/i>, 2020, Joeiji Temple","撮影：井上嘉和\nPhoto by Yoshikazu Inoue","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo (YCAM)\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstallation view: \u003Ci>Forest Symphony\u003C/i>, 2013",{"id":65,"credits":66},"11. water state 1 (2013)",[67,67,67,67,67,68,68],"展览现场，《水的样态 1》(2013)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>water state 1\u003C/i>, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo (YCAM)\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstalltion view: \u003Ci>water state 1\u003C/i>, 2013",{"id":70,"credits":71},"12. LIFE - WELL installation (2013)",[72,72,73,73,73,73],"展览现场，《“生命-井”装置》(北京版本)(2013/2021)，坂本龙一 + 高谷史郎，“观 音·听时”, 木木美术馆(钱粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>LIFE-WELL Installation\u003C/i> (Beijing version), 2013/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstalltion view: \u003Ci>LIFE-WELL\u003C/i>, 2013, Noda Shrine",{"id":75,"credits":76},"13. Sensing Streams - invisible, inaudible (2014)",[77,78,79,80,80,80],"Ryuichi Sakamoto + Daito Manabe, \u003Ci>Sensing Streams 2024–invisible, inaudible\u003C/i> (MOT version), 2024　\n©2024 KAB Inc.　Photo: Takeshi Asano","Ryuichi Sakamoto + Daito Manabe\n\u003Ci>Sensing Streams–invisible, inaudible, \u003C/i>2014\nInstallation view at Otherly Space/Knowledge, Asia Culture Center, 2018\nPhoto by Sarah Kim.","Ryuichi Sakamoto + Daito Manabe, \u003Ci>Sensing Streams–invisible, inaudible\u003C/i>, 2014 \nInstallation view at Sapporo International Art Festival 2014\nPhoto: Keizo Kioku\nCourtesy of Sapporo International Art Festival Executive Committee","展览现场, 《感应流2021-不可见，不可闻》（2021），坂本龙一 + 真锅大度，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view,\u003Ci> Sensing Streams 2021–invisible, inaudible\u003C/i>, 2021, \nRyuichi Sakamoto + Daito Manabe, ‘seeing sound, hearing time’, \ncourtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":82,"credits":83},"14. PLANKTON_ A Drifting World at the Origin of Life (2016)",[84,84,84,84,85,85],"Kyoto Municipal Museum of Art Annex (Kyotographie Festival, 2016) \nphoto: Takuya Oshima","With Christian Sardet - photo Shiro Takatani\n© Shiro Takatani",{"id":87,"credits":88},"15. async - drowning (2017)",[89,90,90],"Installation view, \u003Ci>async–drowning\u003C/i>, 2017, WATARI-UM\nPhoto by Ryuichi Maruo\n\n\u003Ci>async–drowning\u003C/i>, 2017, async 設置音楽展, WATARI-UM\n撮影：丸尾隆一","展览现场，《异步–沉溺》(2017)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team",{"id":11,"credits":92},[93,93,94,94,94,94],"Installation view, \u003Ci>async–volume\u003C/i>, 2017, WATARI-UM\nPhoto by Ryuichi Maruo\n\n\u003Ci>async–volume\u003C/i>, 2017, async 設置音楽展, WATARI-UM\n撮影：丸尾隆一","\u003Ci>async–volume\u003C/i>, 2017, Ryuichi Sakamoto + Zakkubalan\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS",{"id":96,"credits":97},"17. async - first light (2017)",[98,99,99,99,99],"\u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","展览现场，《异步-第一束光》(2017)，坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆(钱粮胡同馆)，北京，2021 \n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.Photo by M WOODS photography team",{"id":101,"credits":102},"18. IS YOUR TIME (2017)",[103,104,104,104,104],"Installation view, \u003Ci>IS YOUR TIME, \u003C/i>2021, Taipei Music Center\nPhoto credit: fundesign.tv","展览现场, 《你的时间》（2017），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>IS YOUR TIME\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":106,"credits":107},"19. Playback 2022 (2022)",[108,108,108],"Dumb Type,\u003Ci> Playback\u003C/i>, Installation view, Haus der Kunst Munich, Photo: Shiro Takatani, © Dumb Type",{"id":110,"credits":111},"20. 2022 (2022)",[112,113,113,113,113,113,113,113,113,113,113,113],"Dumb Type,\u003Ci> 2022\u003C/i>, Installation view, Japan Pavilion at the 59th International Art Exhibition – La Biennale di Venezia, \nPhoto: Shiro Takatani, © Dumb Type, Courtesy of The Japan Foundation","Dumb Type, \u003Ci>2022\u003C/i>, Installation view, Japan Pavilion at the 59th International Art Exhibition – La Biennale di Venezia\nPhoto: Yuki Seli © Dumb Type, Courtesy of The Japan Foundation",{"id":115,"credits":116},"21. KAGAMI (2023)",[117,117,117,117,117,117,117],"\u003Ci>KAGAMI\u003C/i>, 2023, The Shed\n© The Shed",{"id":119,"credits":120},"22. TIME-déluge (2023)",[121,122],"\u003Ci>TIME–déluge\u003C/i>, 2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME–déluge\u003C/i>, 2023\nForest Festival of the Arts Okayama\nPhoto by Kenryou Gu",{"id":124,"credits":125},"23. async - immersion (2023)",[126,126,126,127],"\u003Ci>async–immersion 2023\u003C/i>, Ambient Kyoto\nPhoto by Satoshi Nagare","\"Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024 \nRyuichi Sakamoto + Shiro Takatani, \u003Ci>async–immersion tokyo\u003C/i>, 2024 ©2024 KAB Inc. Photography: Takeshi Asano\n\n「坂本龍一｜音を視る 時を聴く」東京都現代美術館、2024年\n坂本龍一＋高谷史郎《\u003Ci>async–immersion tokyo\u003C/i>》2024年　©2024 KAB Inc.　撮影：浅野豪",{"id":129,"credits":130},"24. Music Plays Images x Images Play Music (2024)",[131],"「坂本龍一｜音を視る 時を聴く」 東京都現代美術館、2024年\n坂本龍一×岩井俊雄《Music Plays Images X Images Play Music》1996–1997/2024　\n© 2024 KAB Inc.　 撮影：丸尾隆一\n\u003Ci>Ryuichi Sakamoto | seeing sound, hearing time, \u003C/i>Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto × Toshio Iwai, \u003Ci>Music Plays Images X Images Play Music \u003C/i>1996–1997/2024\n© 2024 KAB Inc.  Photo: Ryuichi Maruo",{"id":133,"credits":134},"25. TIME TIME (2024)",[135],"「坂本龍一｜音を視る 時を聴く」東京都現代美術館、2024年\n坂本龍一＋高谷史郎《TIME TIME》2024年　©2024 KAB Inc.　 撮影：福永一夫\n“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> TIME TIME\u003C/i>, 2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga",{"id":137,"credits":138},"E1. Ryuichi Sakamoto_ Life, Life (2018)",[139,140,141,41,142,142,142,143],"Archive on \u003Ci>async\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>async–surround\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>async–volume\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>LIFE–fluid, invisible, inaudible…\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>water state 1\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT",{"id":145,"credits":146},"E2. Ryuichi Sakamoto_ seeing sound hearing time (2021)",[104,104,104,147,147,147,72,72,148,148,149,150,151,151,152],"展览现场，《生命-流动，不可见，不可闻···》（2007/2021），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>LIFE–fluid, invisible, inaudible...\u003C/i>, 2007/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team","展览现场，《水的样态 1》(2013)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>water state 1\u003C/i>, 2013, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场, 《感应流2021-不可见，不可闻》（2021），坂本龙一 + 真锅大度，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>Sensing Streams 2021–invisible, inaudible\u003C/i>, 2021, Ryuichi Sakamoto + Daito Manabe, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team","展览现场，《异步-空间脉动》(2017)，坂本龙一+ 卅克柏岚，“观音·听时”, 木木美术馆 (钱粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–volume\u003C/i>, 2017, Ryuichi Sakamoto + Zakkubalan, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场，《异步-沉溺》(2017)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场，《异步-第一束光》(2017)，坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":154,"credits":155},"E3. YCAM ART-ENVIRONMENT_LIFE 2021 (2021)",[156,156,156,156,156,156,156,156,156,156,156,156,156,156],"撮影：山中慎太郎（Qsyum!）\n写真提供：山口情報芸術センター[YCAM]\nPhoto by Shintaro Yamanaka（Qsyum!）\nCourtesy: Yamaguchi Center for Arts and Media[YCAM]",{"id":158,"credits":159},"E4. Ryuichi Sakamoto _ SOUND AND TIME (2023)",[160,161,162,163,164,94,98,121],"\u003Ci>IS YOUR TIME\u003C/i>, 2017/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>Sensing Streams 2023–invisible, inaudible\u003C/i>, 2023, Ryuichi Sakamoto + Daito Manabe\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>water state 1\u003C/i>, 2013, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>LIFE–fluid, invisible, inaudible…\u003C/i> 2007/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS",{"id":166,"credits":167},"E5. sakamotocommon GINZA",[],{"id":169,"credits":170},"E6. Ryuichi Sakamoto _ seeing sound, hearing time",[171,172,173,174,175,176,177,177],"“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> LIFE–fluid, invisible, inaudible...\u003C/i>, 2007 ©2024 KAB Inc. Photography: Takeshi Asano","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> async–immersion tokyo\u003C/i>, 2024 ©2024 KAB Inc. Photography: Takeshi Asano","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> TIME TIME\u003C/i>, 2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto with Shiro Takatani,\u003Ci> IS YOUR TIME\u003C/i>, 2017/2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> LIFE–fluid, invisible, inaudible...\u003C/i>, 2007 ©2024 KAB Inc. Photography: Ryuichi Maruo","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Toshio Iwai,\u003Ci> Music Plays Images X Images Play Music\u003C/i>, 1996-1997/2024 ©2024 KAB Inc. Photography: Ryuichi Maruo","Min Tanaka Site-specific Dance performance at Ryuichi Sakamoto + Fujiko Nakaya + Shiro Takatani, \u003Ci>LIFE–WELL TOKYO,\u003C/i> Fog Sculpture #47662\nPhoto: Itaru Hirama",{"id":179,"credits":180},"E7. sakamotocommon OSAKA",[181,181,181,181,181,181,181,181],"sakamotocommon OSAKA 1970/2025/OSAKA/RYUICHI SAKAMOTO 2025 ©2025 KAB Inc., VS. Joint Partnership \nPhoto by Asano Takeshi",{"id":183,"credits":184},"P1. TV WAR (1985)",[185,186,185,185,185],"Photo by Tetsuro Yamamoto\n撮影：山本哲郎","Photo by Kunio Yoshie\n撮影：義江邦夫",{"id":188,"credits":189},"P2. D&L Internet Live Concert (1995)",[190,190,190,190,190,190,190,190],"© The Estate of Ryuichi Sakamoto",{"id":192,"credits":193},"P3. Music Plays Images x Images Play Music (1997)",[194,194,194,194],"© Ars Electronica Linz GmbH",{"id":196,"credits":197},"P4. LIFE (1999)",[198,198,198,198,198,198,198],"Photo by Mikiya Takimoto\n© 1999 Kab Inc.",{"id":200,"credits":201},"P5. Garden Series vol.1_ Experimental Live at Honen-in Zen Temple (2005)",[202,202,202,202,203,203],"坂本龍一＋高谷史郎「庭園シリーズ vol. 1《Live@法然院》」2005年\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>Garden Series vol.1 ‘Experimental Live at Hounen-in Zen temple’2005\n\u003C/i>","坂本龍一＋高谷史郎「庭園シリーズ vol. 2《Live@大徳寺・養徳院》」2007年\n撮影：國崎晋\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>Garden Series vol.2 ‘Experimental Live at Daitoku-ji temple Yotokuin’2007\n\u003C/i>\nPhoto by Susumu Kunisaki",{"id":205,"credits":206},"P6. utp_ (2007)",[207,207,207],"photos: hans jörg michel\ncourtesy büro 2007, mannheim",{"id":209,"credits":210},"P7. LIFE WELL (2013)",[211,211,212],"撮影：イトウユウヤ\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Yuya Itou\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]","撮影：田邊アツシ\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Atsushi Tanabe\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]",{"id":214,"credits":215},"P8. Strange Music for Nam June Paik (2013)",[216,216,216,216,216,216],"Still image from performance, \u003Ci>Strange Music for Nam June Paik\u003C/i>, 2013\nCourtesy of Smithsonian American Art Museum",{"id":218,"credits":219},"P9. Alva Noto + Ryuichi Sakamoto at The Glass House (2016)",[220],"Photo courtesy of the Glass House",{"id":222,"credits":223},"P10. async live (2017)",[224,224,224,224,225],"Still from the documentary film, \u003Ci>Ryuichi Sakamoto: CODA\n\u003C/i>\nⒸSKMTDOC, LLC","Photo: Da Ping Luo © 2017, Courtesy of Park Avenue Armory",{"id":227,"credits":228},"P11. LONDON FOG (2017)",[229,229,229,229],"中谷芙二子＋坂本龍一＋田中泯＋高谷史郎 《Fog sculpture #03779 “London Fog”》テート・モダン 2017年\n撮影：石原淋\nFujiko Nakaya + Ryuichi Sakamoto + Min Tanaka + Shiro Takatani, \u003Ci>Fog sculpture \u003C/i>#03779 \u003Ci>London Fog, \u003C/i>Tate Modern, 2017\nPhoto by Rin Ishihara",{"id":231,"credits":232},"P12. After The Echo (2017)",[233,234,234,234],"Still image of performance \u003Ci>After The Echo\u003C/i> by Camille Norment and Ryuichi Sakamoto in\u003Ci> Breath or Echo\n\u003C/i>","Yuko Mohri, \u003Ci>Breath or Echo\u003C/i>, Sapporo International Art Festival 2017\nphoto: Ikuya Sasaki",{"id":236,"credits":237},"P13 a·form (2017)",[238,238,238,238],"Ultimafestivalen 2017 / Foto: Andreas Turau ©",{"id":240,"credits":241},"P14. dis·play (2018)",[242,243,243,243,243,243],"photo by Manuela Martorelli","© David Gallard pour le lieu unique",{"id":245,"credits":246},"P15. Voluta (2018)",[247,247,247],"Live: Ryuichi Sakamoto with Yuko Mohri at Camden Arts Centre, 2018. Courtesy Camden Arts Centre. Photo: Mark Blower",{"id":249,"credits":250},"P16. fragments (2019)",[251,190,251,251,251,251],"Courtesy of Arts House Limited",{"id":253,"credits":254},"P17. TIME (2021)",[255,255,255,256,256,256,256,257,257,257,257],"Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nWestergas - Gashouder, Holland Festival, 2021\n© Sanne Peper","Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nNational Taichung Theater, 2024\nⓒ LIN CHUN-YUNG, National Taichung Theater","坂本龍一 ＋ 高谷史郎　『TIME』\n東京・新国立劇場（2024年）\n撮影：井上嘉和\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nNew National Theatre Tokyo, 2024\nphoto by Yoshikazu Inoue",1775179320808]