[{"data":1,"prerenderedAt":259},["ShallowReactive",2],{"$f_cnASnmaQGeJXWoqp9aM31b62iAMbDeYtfkojZ3aous":3,"$fArurHTHrNVpJW2wXDxXLjwiAl-FmWu1NUzR_eMwThUY":22},{"Artist":4,"Awards":5,"Category":6,"Collaborators":5,"Country":5,"Description":7,"Exhibitions":8,"HTML_Link":9,"id":10,"Images":11,"Links":5,"Techinical Requirements":12,"Title":13,"Year":14,"previous":15,"next":19},"Ryuichi Sakamoto + Shiro Takatani","","Installation","\u003Ci>async–drowning\u003C/i> is a listening room created by Shiro Takatani for Sakamoto's album, \u003Ci>async\u003C/i>. \n\nViewers are surrounded by sound from all directions as they enter a room that contains six 5.1-channel high-performance speakers that play music from \u003Ci>async\u003C/i>. On the walls are eight flat-screen monitors placed vertically, showing videos by Takatani, programmed to produce images in real-time.\nThe videos by Takatani use footage of various objects, such as Sakamoto’s piano, books, and percussion instruments from his New York studio, and potted plants on his balcony. The eight monitors create one landscape together, and the images appearing in the monitors gradually change over time, starting from either the far left or right. Like weaving together a fabric, images are created out of countless numbers of thin, horizontal lines that convert into new images one pixel at a time as if being slowly scanned. Once an eight-panel image is complete, the image is then reverted back into horizontal lines one pixel at a time until, eventually, all traces of the image are decomposed back into countless lines that stretch out like layers of sediment. Once horizontal lines cover all of the screens, they begin transforming into the next image. Takatani's images are not synchronized to the sounds of the album but they change their expressions moment by moment, like the ebb and flow of the tide, and visually insist on its own axis of time that runs parallel to the sounds of the album.","2017 The Watari Museum of Contemporary Art [WATARI-UM], Tokyo\n2019 Piknic, Korea\n2021 MWOODS, Beijing\n2021 The David Ireland House at 500 Capp Street, San Francisco\n2023 M WOODS People's Park - Chengdu","2017 \u003Ca href=\"http://www.watarium.co.jp/exhibition/1704sakamoto/index.html\">The Watari Museum of Contemporary Art [WATARI-UM], Tokyo\u003C/a>\n2019 Piknic, Korea\n2021 MWOODS, Beijing\n2021 The David Ireland House at 500 Capp Street, San Francisco\n2023 M WOODS People's Park - Chengdu",15,"15. async - drowning (2017)","Minimum Space Dimensions\nW 9m x D 6m x H 3m\n- 6 x speakers (geithain)\n- audio interface\n- 8 x OLED displays (55 inches or above)\n- 2 x computers (mac bookpro, mac studio)","async−drowning","2017",{"id":16,"Title":17,"Year":18},"14","PLANKTON: A Drifting World at the Origin of Life","2016",{"id":20,"Title":21,"Year":14},"16","async−volume ",[23,26,29,32,36,39,43,50,55,59,65,70,75,82,87,91,96,101,106,110,115,119,124,129,133,137,145,154,158,166,169,179,183,188,192,196,200,205,209,214,218,222,227,231,236,240,245,249,253],{"id":24,"credits":25},"1. Let_s make the time (1991)",[],{"id":27,"credits":28},"2. Net Planet (1995)",[],{"id":30,"credits":31},"3. Remote Piano Installation (1997)",[],{"id":33,"credits":34},"4. Installation for Geo Cosmos (2001)",[35,35],"© 日本科学未来館 (Miraikan)",{"id":37,"credits":38},"5. windVibe (2002)",[],{"id":40,"credits":41},"6. Sonic Mandala The Missing Peace_ Artists Consider Dalai Lama (2006)",[42,42,42,42,42,42,42,42,42],"The Estate of Ryuichi Sakamoto",{"id":44,"credits":45},"7. LIFE - fluid, invisible, inaudible... (2007)",[46,47,48,49],"「坂本龍一｜音を視る 時を聴く」東京都現代美術館、\u003Ci>2024\u003C/i>年\n坂本龍一＋高谷史郎《LIFE–fluid, invisible, inaudible...》\u003Ci>2007\u003C/i>年 \u003Ci>©2024 Kab Inc.\u003C/i>  撮影：浅野豪　\n\n“Ryuichi Sakamoto | seeing sound, hearing time\" at Museum of Contemporary Art Tokyo, 2024\u000bRyuichi Sakamoto + Shiro Takatani, \u003Ci>LIFE–fluid, invisible, inaudible…,\u003C/i> 2007 ©2024 Kab Inc.  Photo: Takechi Asano","\u003Ci>LIFE–fluid, invisible, inaudible… \u003C/i>2007/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s Park), Chengdu, 2023\nImage courtesy of M WOODS","撮影：丸尾隆一\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Ryuichi Maruo\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]","坂本龍一＋高谷史郎 | \u003Ci>LIFE–fluid, invisible, inaudible... \n\u003C/i>\nNTT インターコミュニケーション・センター [ICC]\n撮影：福永一夫  Courtesy of ICC\n\nRyuichi Sakamoto + Shiro Takatani | \u003Ci>LIFE–fluid, invisible, inaudible... \n\u003C/i>\nNTT InterCommunication Center [ICC]\nPhoto: Kazuo Fukunaga  Courtesy of ICC",{"id":51,"credits":52},"8. silence spins (2012)",[53,54,54,54,54,54],"\u003Ci>silence spins\u003C/i>, 2012 \nPhoto: Norihiro Ueno \nInstallation view from \u003Ci>Art & Music - Search for New Synesthesia,\u003C/i> \nMuseum of Contemporary Art Tokyo, Japan","\u003Ci>silence spins\u003C/i>, 2012 \nInstallation view \nCommissioned by Sharjah Art Foundation",{"id":56,"credits":57},"9. collapsed (2012)",[58,58,58],"Photo: Norihiro Ueno",{"id":60,"credits":61},"10. Forest Symphony (2013)",[62,62,62,62,63,64,64,64],"撮影：山中慎太郎（Qsyum!）\n写真提供：山口情報芸術センター[YCAM]\nPhoto by Shintaro Yamanaka（Qsyum!）\nCourtesy: Yamaguchi Center for Arts and Media[YCAM]\nInstallation view: \u003Ci>Forest Symphony\u003C/i>, 2020, Joeiji Temple","撮影：井上嘉和\nPhoto by Yoshikazu Inoue","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo (YCAM)\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstallation view: \u003Ci>Forest Symphony\u003C/i>, 2013",{"id":66,"credits":67},"11. water state 1 (2013)",[68,68,68,68,68,69,69],"展览现场，《水的样态 1》(2013)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>water state 1\u003C/i>, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo (YCAM)\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstalltion view: \u003Ci>water state 1\u003C/i>, 2013",{"id":71,"credits":72},"12. LIFE - WELL installation (2013)",[73,73,74,74,74,74],"展览现场，《“生命-井”装置》(北京版本)(2013/2021)，坂本龙一 + 高谷史郎，“观 音·听时”, 木木美术馆(钱粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>LIFE-WELL Installation\u003C/i> (Beijing version), 2013/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","撮影：丸尾隆一（YCAM）\n写真提供：山口情報芸術センター［YCAM］\nPhoto by Ryuichi Maruo\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]\nInstalltion view: \u003Ci>LIFE-WELL\u003C/i>, 2013, Noda Shrine",{"id":76,"credits":77},"13. Sensing Streams - invisible, inaudible (2014)",[78,79,80,81,81,81],"Ryuichi Sakamoto + Daito Manabe, \u003Ci>Sensing Streams 2024–invisible, inaudible\u003C/i> (MOT version), 2024　\n©2024 KAB Inc.　Photo: Takeshi Asano","Ryuichi Sakamoto + Daito Manabe\n\u003Ci>Sensing Streams–invisible, inaudible, \u003C/i>2014\nInstallation view at Otherly Space/Knowledge, Asia Culture Center, 2018\nPhoto by Sarah Kim.","Ryuichi Sakamoto + Daito Manabe, \u003Ci>Sensing Streams–invisible, inaudible\u003C/i>, 2014 \nInstallation view at Sapporo International Art Festival 2014\nPhoto: Keizo Kioku\nCourtesy of Sapporo International Art Festival Executive Committee","展览现场, 《感应流2021-不可见，不可闻》（2021），坂本龙一 + 真锅大度，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view,\u003Ci> Sensing Streams 2021–invisible, inaudible\u003C/i>, 2021, \nRyuichi Sakamoto + Daito Manabe, ‘seeing sound, hearing time’, \ncourtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":83,"credits":84},"14. PLANKTON_ A Drifting World at the Origin of Life (2016)",[85,85,85,85,86,86],"Kyoto Municipal Museum of Art Annex (Kyotographie Festival, 2016) \nphoto: Takuya Oshima","With Christian Sardet - photo Shiro Takatani\n© Shiro Takatani",{"id":11,"credits":88},[89,90,90],"Installation view, \u003Ci>async–drowning\u003C/i>, 2017, WATARI-UM\nPhoto by Ryuichi Maruo\n\n\u003Ci>async–drowning\u003C/i>, 2017, async 設置音楽展, WATARI-UM\n撮影：丸尾隆一","展览现场，《异步–沉溺》(2017)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team",{"id":92,"credits":93},"16. async - volume (2017)",[94,94,95,95,95,95],"Installation view, \u003Ci>async–volume\u003C/i>, 2017, WATARI-UM\nPhoto by Ryuichi Maruo\n\n\u003Ci>async–volume\u003C/i>, 2017, async 設置音楽展, WATARI-UM\n撮影：丸尾隆一","\u003Ci>async–volume\u003C/i>, 2017, Ryuichi Sakamoto + Zakkubalan\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS",{"id":97,"credits":98},"17. async - first light (2017)",[99,100,100,100,100],"\u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","展览现场，《异步-第一束光》(2017)，坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆(钱粮胡同馆)，北京，2021 \n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.Photo by M WOODS photography team",{"id":102,"credits":103},"18. IS YOUR TIME (2017)",[104,105,105,105,105],"Installation view, \u003Ci>IS YOUR TIME, \u003C/i>2021, Taipei Music Center\nPhoto credit: fundesign.tv","展览现场, 《你的时间》（2017），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>IS YOUR TIME\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":107,"credits":108},"19. Playback 2022 (2022)",[109,109,109],"Dumb Type,\u003Ci> Playback\u003C/i>, Installation view, Haus der Kunst Munich, Photo: Shiro Takatani, © Dumb Type",{"id":111,"credits":112},"20. 2022 (2022)",[113,114,114,114,114,114,114,114,114,114,114,114],"Dumb Type,\u003Ci> 2022\u003C/i>, Installation view, Japan Pavilion at the 59th International Art Exhibition – La Biennale di Venezia, \nPhoto: Shiro Takatani, © Dumb Type, Courtesy of The Japan Foundation","Dumb Type, \u003Ci>2022\u003C/i>, Installation view, Japan Pavilion at the 59th International Art Exhibition – La Biennale di Venezia\nPhoto: Yuki Seli © Dumb Type, Courtesy of The Japan Foundation",{"id":116,"credits":117},"21. KAGAMI (2023)",[118,118,118,118,118,118,118],"\u003Ci>KAGAMI\u003C/i>, 2023, The Shed\n© The Shed",{"id":120,"credits":121},"22. TIME-déluge (2023)",[122,123],"\u003Ci>TIME–déluge\u003C/i>, 2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME–déluge\u003C/i>, 2023\nForest Festival of the Arts Okayama\nPhoto by Kenryou Gu",{"id":125,"credits":126},"23. async - immersion (2023)",[127,127,127,128],"\u003Ci>async–immersion 2023\u003C/i>, Ambient Kyoto\nPhoto by Satoshi Nagare","\"Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024 \nRyuichi Sakamoto + Shiro Takatani, \u003Ci>async–immersion tokyo\u003C/i>, 2024 ©2024 KAB Inc. Photography: Takeshi Asano\n\n「坂本龍一｜音を視る 時を聴く」東京都現代美術館、2024年\n坂本龍一＋高谷史郎《\u003Ci>async–immersion tokyo\u003C/i>》2024年　©2024 KAB Inc.　撮影：浅野豪",{"id":130,"credits":131},"24. Music Plays Images x Images Play Music (2024)",[132],"「坂本龍一｜音を視る 時を聴く」 東京都現代美術館、2024年\n坂本龍一×岩井俊雄《Music Plays Images X Images Play Music》1996–1997/2024　\n© 2024 KAB Inc.　 撮影：丸尾隆一\n\u003Ci>Ryuichi Sakamoto | seeing sound, hearing time, \u003C/i>Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto × Toshio Iwai, \u003Ci>Music Plays Images X Images Play Music \u003C/i>1996–1997/2024\n© 2024 KAB Inc.  Photo: Ryuichi Maruo",{"id":134,"credits":135},"25. TIME TIME (2024)",[136],"「坂本龍一｜音を視る 時を聴く」東京都現代美術館、2024年\n坂本龍一＋高谷史郎《TIME TIME》2024年　©2024 KAB Inc.　 撮影：福永一夫\n“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> TIME TIME\u003C/i>, 2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga",{"id":138,"credits":139},"E1. Ryuichi Sakamoto_ Life, Life (2018)",[140,141,142,42,143,143,143,144],"Archive on \u003Ci>async\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>async–surround\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>async–volume\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>LIFE–fluid, invisible, inaudible…\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT","\u003Ci>water state 1\u003C/i>, 2018, piknic \nⓒ Studio Bolt for GLINT",{"id":146,"credits":147},"E2. Ryuichi Sakamoto_ seeing sound hearing time (2021)",[105,105,105,148,148,148,73,73,149,149,150,151,152,152,153],"展览现场，《生命-流动，不可见，不可闻···》（2007/2021），坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>LIFE–fluid, invisible, inaudible...\u003C/i>, 2007/2021, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team","展览现场，《水的样态 1》(2013)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>water state 1\u003C/i>, 2013, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场, 《感应流2021-不可见，不可闻》（2021），坂本龙一 + 真锅大度，“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>Sensing Streams 2021–invisible, inaudible\u003C/i>, 2021, Ryuichi Sakamoto + Daito Manabe, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team","展览现场，《异步-空间脉动》(2017)，坂本龙一+ 卅克柏岚，“观音·听时”, 木木美术馆 (钱粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–volume\u003C/i>, 2017, Ryuichi Sakamoto + Zakkubalan, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场，《异步-沉溺》(2017)，坂本龙一 + 高谷史郎，“观音·听时”, 木木美术馆(钱 粮胡同馆)，北京，2021\n摄影:木木美术馆摄像团队\nInstallation view, \u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021.\nPhoto by M WOODS photography team","展览现场，《异步-第一束光》(2017)，坂本龙一 + 阿彼察邦·韦拉斯哈古,“观音·听时”, 木木美术馆（钱粮胡同馆），北京，2021\n摄影：木木美术馆摄像团队\nInstallation view, \u003Ci>async–first light\u003C/i>, 2017, Ryuichi Sakamoto + Apichatpong Weerasethakul, ‘seeing sound, hearing time’, courtesy M WOODS HUTONG, Beijing, 2021. \nPhoto by M WOODS photography team",{"id":155,"credits":156},"E3. YCAM ART-ENVIRONMENT_LIFE 2021 (2021)",[157,157,157,157,157,157,157,157,157,157,157,157,157,157],"撮影：山中慎太郎（Qsyum!）\n写真提供：山口情報芸術センター[YCAM]\nPhoto by Shintaro Yamanaka（Qsyum!）\nCourtesy: Yamaguchi Center for Arts and Media[YCAM]",{"id":159,"credits":160},"E4. Ryuichi Sakamoto _ SOUND AND TIME (2023)",[161,162,163,164,165,95,99,122],"\u003Ci>IS YOUR TIME\u003C/i>, 2017/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>Sensing Streams 2023–invisible, inaudible\u003C/i>, 2023, Ryuichi Sakamoto + Daito Manabe\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>async–drowning\u003C/i>, 2017, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>water state 1\u003C/i>, 2013, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS","\u003Ci>LIFE–fluid, invisible, inaudible…\u003C/i> 2007/2023, Ryuichi Sakamoto + Shiro Takatani\n“Ryuichi Sakamoto | SOUND AND TIME,” M WOODS (People’s park), Chengdu, 2023\nImage courtesy of M WOODS",{"id":167,"credits":168},"E5. sakamotocommon GINZA",[],{"id":170,"credits":171},"E6. Ryuichi Sakamoto _ seeing sound, hearing time",[172,173,174,175,176,177,178,178],"“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> LIFE–fluid, invisible, inaudible...\u003C/i>, 2007 ©2024 KAB Inc. Photography: Takeshi Asano","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> async–immersion tokyo\u003C/i>, 2024 ©2024 KAB Inc. Photography: Takeshi Asano","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> TIME TIME\u003C/i>, 2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto with Shiro Takatani,\u003Ci> IS YOUR TIME\u003C/i>, 2017/2024 ©2024 KAB Inc. Photography: Kazuo Fukunaga","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Shiro Takatani,\u003Ci> LIFE–fluid, invisible, inaudible...\u003C/i>, 2007 ©2024 KAB Inc. Photography: Ryuichi Maruo","“Ryuichi Sakamoto | seeing sound, hearing time\" Museum of Contemporary Art Tokyo, 2024\nRyuichi Sakamoto + Toshio Iwai,\u003Ci> Music Plays Images X Images Play Music\u003C/i>, 1996-1997/2024 ©2024 KAB Inc. Photography: Ryuichi Maruo","Min Tanaka Site-specific Dance performance at Ryuichi Sakamoto + Fujiko Nakaya + Shiro Takatani, \u003Ci>LIFE–WELL TOKYO,\u003C/i> Fog Sculpture #47662\nPhoto: Itaru Hirama",{"id":180,"credits":181},"E7. sakamotocommon OSAKA",[182,182,182,182,182,182,182,182],"sakamotocommon OSAKA 1970/2025/OSAKA/RYUICHI SAKAMOTO 2025 ©2025 KAB Inc., VS. Joint Partnership \nPhoto by Asano Takeshi",{"id":184,"credits":185},"P1. TV WAR (1985)",[186,187,186,186,186],"Photo by Tetsuro Yamamoto\n撮影：山本哲郎","Photo by Kunio Yoshie\n撮影：義江邦夫",{"id":189,"credits":190},"P2. D&L Internet Live Concert (1995)",[191,191,191,191,191,191,191,191],"© The Estate of Ryuichi Sakamoto",{"id":193,"credits":194},"P3. Music Plays Images x Images Play Music (1997)",[195,195,195,195],"© Ars Electronica Linz GmbH",{"id":197,"credits":198},"P4. LIFE (1999)",[199,199,199,199,199,199,199],"Photo by Mikiya Takimoto\n© 1999 Kab Inc.",{"id":201,"credits":202},"P5. Garden Series vol.1_ Experimental Live at Honen-in Zen Temple (2005)",[203,203,203,203,204,204],"坂本龍一＋高谷史郎「庭園シリーズ vol. 1《Live@法然院》」2005年\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>Garden Series vol.1 ‘Experimental Live at Hounen-in Zen temple’2005\n\u003C/i>","坂本龍一＋高谷史郎「庭園シリーズ vol. 2《Live@大徳寺・養徳院》」2007年\n撮影：國崎晋\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>Garden Series vol.2 ‘Experimental Live at Daitoku-ji temple Yotokuin’2007\n\u003C/i>\nPhoto by Susumu Kunisaki",{"id":206,"credits":207},"P6. utp_ (2007)",[208,208,208],"photos: hans jörg michel\ncourtesy büro 2007, mannheim",{"id":210,"credits":211},"P7. LIFE WELL (2013)",[212,212,213],"撮影：イトウユウヤ\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Yuya Itou\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]","撮影：田邊アツシ\n写真提供：山口情報芸術センター［YCAM］\n\nPhoto by Atsushi Tanabe\nCourtesy of Yamaguchi Center for Arts and Media [YCAM]",{"id":215,"credits":216},"P8. Strange Music for Nam June Paik (2013)",[217,217,217,217,217,217],"Still image from performance, \u003Ci>Strange Music for Nam June Paik\u003C/i>, 2013\nCourtesy of Smithsonian American Art Museum",{"id":219,"credits":220},"P9. Alva Noto + Ryuichi Sakamoto at The Glass House (2016)",[221],"Photo courtesy of the Glass House",{"id":223,"credits":224},"P10. async live (2017)",[225,225,225,225,226],"Still from the documentary film, \u003Ci>Ryuichi Sakamoto: CODA\n\u003C/i>\nⒸSKMTDOC, LLC","Photo: Da Ping Luo © 2017, Courtesy of Park Avenue Armory",{"id":228,"credits":229},"P11. LONDON FOG (2017)",[230,230,230,230],"中谷芙二子＋坂本龍一＋田中泯＋高谷史郎 《Fog sculpture #03779 “London Fog”》テート・モダン 2017年\n撮影：石原淋\nFujiko Nakaya + Ryuichi Sakamoto + Min Tanaka + Shiro Takatani, \u003Ci>Fog sculpture \u003C/i>#03779 \u003Ci>London Fog, \u003C/i>Tate Modern, 2017\nPhoto by Rin Ishihara",{"id":232,"credits":233},"P12. After The Echo (2017)",[234,235,235,235],"Still image of performance \u003Ci>After The Echo\u003C/i> by Camille Norment and Ryuichi Sakamoto in\u003Ci> Breath or Echo\n\u003C/i>","Yuko Mohri, \u003Ci>Breath or Echo\u003C/i>, Sapporo International Art Festival 2017\nphoto: Ikuya Sasaki",{"id":237,"credits":238},"P13 a·form (2017)",[239,239,239,239],"Ultimafestivalen 2017 / Foto: Andreas Turau ©",{"id":241,"credits":242},"P14. dis·play (2018)",[243,244,244,244,244,244],"photo by Manuela Martorelli","© David Gallard pour le lieu unique",{"id":246,"credits":247},"P15. Voluta (2018)",[248,248,248],"Live: Ryuichi Sakamoto with Yuko Mohri at Camden Arts Centre, 2018. Courtesy Camden Arts Centre. Photo: Mark Blower",{"id":250,"credits":251},"P16. fragments (2019)",[252,191,252,252,252,252],"Courtesy of Arts House Limited",{"id":254,"credits":255},"P17. TIME (2021)",[256,256,256,257,257,257,257,258,258,258,258],"Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nWestergas - Gashouder, Holland Festival, 2021\n© Sanne Peper","Ryuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nNational Taichung Theater, 2024\nⓒ LIN CHUN-YUNG, National Taichung Theater","坂本龍一 ＋ 高谷史郎　『TIME』\n東京・新国立劇場（2024年）\n撮影：井上嘉和\nRyuichi Sakamoto + Shiro Takatani, \u003Ci>TIME\u003C/i>\nNew National Theatre Tokyo, 2024\nphoto by Yoshikazu Inoue",1775179320808]